Tag: Digital

No.5212

GAJOOB Review by Bryan Baker:

Femtanyl’s “CHASER” is an auditory rollercoaster that takes listeners on a journey through a dynamic soundscape that is both fresh and captivating. Released in 2023, the album has quickly garnered support from listeners, who have been drawn to its unique blend of hard-hitting bass, breakcore, and chopped vocals.

The album kicks off with “ACT RIGHT,” a track that immediately sets the tone for the rest of the album. It’s a vibrant composition that showcases Femtanyl’s ability to create captivating music that resonates with listeners.

“P3T” follows, offering a slightly different vibe but maintaining the energy and style established in the first track. The track’s popularity is evident in the feedback from fans, with one commenting on how they’ve been “listening to these tracks every day since then.”

“PUSH UR T3MPRR” is another standout track. Described by one listener as cathartic, it’s clear that this track, along with the entire album, has a powerful impact on those who listen to it.

“KATAMARI,” “MURDER EVERY 1 U KNOW! (feat. takihasdied),” and “GIRL HELL 1999” round off the album, each adding their own unique flavor and further showcasing Femtanyl’s musical prowess.

Listeners have praised the album for its modern vibe and ability to fill them with motivation and energy. One fan even described the album as being like “HRT but for my ears,” while another said it was perfect for driving at dangerous speeds.

Media: Digital.

No.5209

GAJOOB Review by Bryan Baker, 11/21/2023:

Brad Tennant’s 2020 release “Nervous” is a compelling exploration of lo-fi bedroom pop, with each of the 16 tracks offering a unique sonic journey. With a range from instrumental beats to hip hop to synthpop, Tennant creates a soundscape bound to make any listener tap their foot.

“Nervous” opens with “Take You With Me,” a track that immediately sets the album’s tone with its contemplative melodies and intricate beats, tinged with a slight glitch that adds an interesting layer of complexity. It’s an inviting introduction that piques listeners’ curiosity for what’s to come.

“When I Was Young” continues the journey with a nostalgic vibe, blending seamlessly into “Really Tried,” a track that showcases Tennant’s talent for crafting engaging beats and melodic hooks. The fourth track, “Celebration,” lives up to its name with an upbeat rhythm that’s bound to get your head nodding.

“Drawn Curtains” and “Not At Home” offer a slight shift in mood, the latter brings some glitchy game tones, while “Hope That’s Okay” and “Out of Time” present a masterful blend of lo-fi and hip hop elements.

“Lost” is a standout track, with its haunting melody and captivating beats. This leads into the poignant “Cannot Get Out of This Bed,” a track that resonates with raw emotion, followed by “Tootie Fife,” which offers a kind of change of pace segueway.

“I’ve Been Dreaming of You” and “Light Breeze” continue to showcase Tennant’s knack for creating atmospheric soundscapes, while “Mission” adds an element of intrigue with its slightly mysterious tone. The penultimate track, “Dead and Handsome (feat. Herm),” is a cool surprise guested by Herm who adds yet another dynamic to the album with his rap.

The album concludes with “Under the Covers,” a fitting end to this musical journey. The track’s calming beats and soft synth elements leave listeners with a sense of tranquility, wrapping up an album that is as diverse as it is cohesive.

Brad Tennant’s “Nervous” is a captivating collection of lo-fi bedroom pop tracks that showcase his ability to blend different genres and create unique, engaging soundscapes. It’s a testament to Tennant’s creative prowess and musical versatility, making him one to watch in the music scene.

Media: Digital.

Visit Brad Tennant

• Spotify

Bandcamp URL: https://bradtennant.bandcamp.com/album/nervous

No.5197

GAJOOB Review by Bryan Baker:

“Moving Display,” a digital album by Foster Body released in 2016, is an adrenaline-fueled foray into the world of experimental punk rock. Filled with manic vocals, atonal, driven rhythms, and a pace that never lets up, this album showcases the band’s ability to push boundaries while delivering a sound that is thoroughly engaging.

Written between 2014 and 2015, “Moving Display” exudes raw energy and youthful exuberance. From start to finish, the album is a wild ride that never slows down. The spastic vocals, reminiscent of bands like the B-52s, give the music a distinctive edge, while the lurching, frantic blasts of bass/guitar/drums are on perpetual freak out.

The music on “Moving Display” is fast-paced and chaotic, but there’s an underlying sense of purpose to the chaos. It’s as if the band is trying to keep up with their own rapid-fire transitions, resulting in a sound that is both thrilling and slightly unhinged. Yet, despite the frantic pace, the musicianship remains tight throughout, demonstrating the band’s skill and control.

The production, handled by Michael Fuchs of Passive Tourist, is top-notch. Every instrument is clearly audible, allowing the listener to fully appreciate the intricate interplay between the various elements of the band’s sound. The mastering, done by Matt Mateus, further enhances the quality of the recording, ensuring that every note hits with maximum impact.

What sets Foster Body apart is their ability to create music that is both challenging and accessible. While the arrangements are complex and the rhythms often unpredictable, the songs remain catchy and memorable. This balance makes “Moving Display” not just a fascinating listen, but also a fun one.

It’s an album that isn’t afraid to take risks, and these risks pay off in the form of a unique and exhilarating listening experience. If you’re a fan of experimental punk rock, or just adventurous music in general, this is an album you won’t want to miss.

I wish there was more!

Media: Digital.

Bandcamp URL: https://fosterbody.bandcamp.com/album/moving-display

No.5194

GAJOOB Review by Bryan Baker:

“Experiments From Day 17869,” a 42’42” minute piece by Jim Tetlow, is an audacious exploration of sound. Released on November 11, 2023, this work reveals an innovative approach to music-making.

Crafted from four improvisations recorded on September 23, 2023 — the 17869th day of Tetlow’s life, hence the title — the album serves as a rehearsal for a UV Spectra gig with Andy Atyeo. The recording offers a unique glimpse into the creative process, showcasing the energy and spontaneity that underpin Tetlow’s artistry.

The abstract nature of the album title reflects the music within. The listener is drawn into a world of soft buzzes, hushed feedback, and low growls, creating an atmosphere that is both soothing and slightly eerie. It’s like stepping into a nocturnal landscape, where unseen creatures whisper in the dark.

Tetlow’s music has an organic, breathing quality to it. The sounds seem to ebb and flow naturally, creating a sense of movement that is hypnotic. It’s easy to lose yourself in these soundscapes, letting the waves of sound wash over you as you journey through Tetlow’s sonic universe.

Despite the experimental nature of the music, there is a warmth and familiarity to it that is truly captivating. Tetlow’s use of looping and layering creates textures that are rich and complex, yet accessible. The result is a listening experience that is immersive, engaging, and deeply satisfying.

Special mention must be made of the production quality. Tetlow’s skills as a mixer and master are evident throughout the album, and the artwork, featuring imagery courtesy of MidJourney, adds a visual dimension that enhances the overall experience.

Discover a bold and exciting exploration of sound that pushes the boundaries of what music can be. It’s a testament to Tetlow’s creativity and his ability to create beauty from chaos. This album is a must-listen for anyone seeking a unique and enriching musical experience.

Media: Digital.

Visit Harsh Reality Music

Bandcamp URL: https://harshrealitymusic.bandcamp.com/album/experiments-from-day-17869

No.5187

GAJOOB Review by Bryan Baker, 11/11/23:

Integrated Tech Solutions, the tenth album from the critically acclaimed rapper Aesop Rock, is a masterclass in lyrical prowess and innovative production. The album is a scathing critique of modern corporatespeak and its invasive influence on our lives.

The album opens with “The ITS Way,” a short but potent track that sets the tone for what’s to come. It’s followed by “Mindful Solutionism,” where Aesop’s lyrical brilliance shines. The track weaves a narrative about the evolution of technology, from the invention of the wheel to the advent of surveillance cameras, highlighting the destructive potential of human innovation.

“Living Curfew,” featuring billy woods, is a standout track. Equally impressive is “Kyanite Toothpick,” where Aesop teams up with Hanni El Khatib. The track’s unique blend of rap and rock is a testament to Aesop’s versatility as an artist.

“Time Moves Differently Here” is another highlight, with its introspective lyrics and atmospheric production. “Bermuda,” featuring Lealani, adds a touch of surrealism to the album, while “Forward Compatibility Engine,” featuring Rob Sonic, is a hard-hitting track that showcases Aesop’s impeccable flow.

“Integrated Tech Solutions” concludes with “Black Snow,” a poignant track featuring Nikki Jean. It’s a fitting end to an album that challenges the listener to question the world around them.

Aesop Rock’s production on the album is top-notch, creating a soundscape that’s as diverse as it is cohesive. From the upbeat bounce of “Mindful Solutionism” to the slow creep of “Salt and Pepper Squid,” each track is meticulously crafted to enhance the narrative.

“Integrated Tech Solutions” is Aesop Rock at his best, delivering thought-provoking lyrics over innovative beats. It’s an album that demands multiple listens, each time revealing new layers of complexity.

Media: Digital.

Visit Aesop Rock

Bandcamp URL: https://aesoprock.bandcamp.com/album/integrated-tech-solutions

No.5186

GAJOOB Review by Bryan Baker, 11/10/23:

The creative minds behind the “BUCHLAÏSMS” series have outdone themselves with their third installation, “BUCHLAÏSMS pt.3.” This captivating compilation is a testament to the limitless potential of the Buchla synthesizer. The collection features an array of artists who, through their unique interpretations and musical explorations, pay tribute to this revolutionary instrument.

The album opens with Suzanne Ciani’s “Concert Practice 1,” a beautiful composition that sets the tone for the rest of the album. Ciani’s mastery of the Buchla synthesizer is evident in the track’s intricate layers and ethereal soundscapes.

The album then takes us through a sonic journey with tracks like Layne’s (Rachel Aiello) “Cyclone,” which showcases the artist’s innovative use of the Buchla synthesizer to create a whirlwind of sound. Illusion Of Safety’s “Fleeting Effects of Light and Movement” adds a hauntingly beautiful layer to the album, while Thomas Dimuzio’s “Foldings VII (Headhunters)” intrigues with its complex rhythms.

Philippe Petit’s “Elephant Seals breeding on the beach at Punta Ninfas” stands out with its organic sounds and evocative imagery. Encoder (Gàbor Kakuk)’s “The Uninvented Spores” further pushes the envelope with its experimental approach.

The album concludes with Kevin Rix’s epic, “The Thing part 1,” a 25-minute odyssey that encapsulates the limitless possibilities of the Buchla synthesizer.

“BUCHLAÏSMS pt.3” is a celebration of innovation, creativity, and the enduring legacy of Donald “Don” Buchla. It’s a must-listen for anyone interested in electronic music and the history of synthesizers. The album is a testament to the unique soundscapes that can be created with the Buchla synthesizer, and serves as an homage to its creator.

It’s well worth a trip to the Modulisme website and immerse yourself in the detailed background of this and other albums in the series, where you’ll be treated to firsthand accounts of the compositions and insights from the artists involved.

Beautiful work!

Media: Digital.

Visit Modulisme

Bandcamp URL: https://modulisme.bandcamp.com/album/modulisme-session-093

No.5183

GAJOOB Review by Bryan Baker, 8 Nov 2023:

An Auditory Banquet of Unconventional Sounds

In the realm of experimental music, Don Campau’s Stolen Spectrum stands as a testament to his unyielding creativity and innovative spirit. Released in 2023, this album is a daring departure (par for Don) from conventional musical structures and an immersive exploration into the world of free jazz, improvisation, and contemporary composition.

Stolen Spectrum is devoid of vocals, songs, or wild rock guitars. Instead, it offers an eclectic mix of odd sounds, atonal guitars, keyboards, percussion, and more, layered over cut-up and randomly assembled loops. The latter is an intriguing element of re-contextualized music ‘stolen’ from various artists, serving as the bedrock for Campau’s sonic experimentations.

The resulting compositions range from haunting to playful, and always captivating. Each track is a unique auditory journey that immerses listeners in Campau’s imaginative soundscapes. The album truly lives up to its name, stealing elements from a spectrum of sources to create something entirely new and engaging.

Campau’s masterful manipulation of sounds, both musical and otherwise, creates a feast for the ears that’s hard to resist. Whether you’re a seasoned fan of experimental music or a curious newcomer, Stolen Spectrum offers a fascinating experience. It challenges preconceptions about what music can be while providing an enjoyable listening experience.

One of the standout aspects of this album is Campau’s commitment to supporting other artists in the field. He encourages listeners to download Stolen Spectrum for free but asks them to support other artists creating unusual sound art like free jazz and modern improv in return. This gesture underscores his dedication to nurturing the experimental music community.

Stolen Spectrum is an audacious exploration of sound that pushes the boundaries of music. It’s a must-listen for anyone interested in experimental sound art and a shining example of Don Campau’s innovative spirit.

Media: Digital.

Visit Lonely Whistle Music

Bandcamp URL: https://doncampau.bandcamp.com/album/stolen-spectrum

No.5178

ARTIST/LABEL NOTES:

What is Bonk Wave? What is not Bonk Wave? What does Bonk Wave mean to you? Does it matter?… If these are questions you can or cannot answer, then perhaps this compilation is for you! Whether you are Bonk Wave Hard or just Bonk curious, every bonker from the Fresh Bonk to the Old Bonk Head will find something to enjoy on this collection of eclectic creativity

GAJOOB Review by Bryan Baker, 11/5/2023:

“Not What I Call Bonk Wave – Volume 001” is a digital compilation released in 2023 that pushes boundaries and challenges conventions. Available on Bandcamp, this compilation explores the enigmatic genre of Bonk Wave, offering a diverse collection of tracks that both question and celebrate its essence.

The beauty of this compilation lies in its thematic consistency coupled with its musical diversity. Each track contributes to the overarching narrative of Bonk Wave while retaining its unique identity, resulting in an album that is as cohesive as it is varied. These characteristics make for a listening experience that is engaging, surprising, and ultimately rewarding.

The album’s strength lies in its ability to encapsulate the spirit of Bonk Wave – a genre that seems to defy definition yet evokes a distinct emotional response. From the rhythmic complexities of electronic music to the raw energy of indie rock, the compilation traverses a multitude of sonic landscapes, all the while maintaining a palpable sense of direction.

One of the standout elements of “Not What I Call Bonk Wave – Volume 001” is its commitment to creativity. Each artist brings their unique perspective and artistic voice to the table, resulting in a dynamic range of tracks that challenge the listener’s expectations and stimulate their imagination.

However, the album’s diversity can also be a double-edged sword. Some listeners may find the transitions between different styles jarring, disrupting the flow of the album. But for those who appreciate the unexpected, these genre-hopping moments add to the compilation’s charm and intrigue.

I”Not What I Call Bonk Wave – Volume 001″ is a compelling exploration of the Bonk Wave genre. It’s an album that invites listeners to question, reflect, and ultimately define what Bonk Wave means to them. Despite minor flaws, this compilation is a testament to the power of creative collaboration and genre experimentation. This review was originally published on GAJOOBZine.com.

Media: Digital.

Visit Bonk Knob Records

Bandcamp URL: https://bonkknobrecords.bandcamp.com/album/not-what-i-call-bonk-wave-volume-001

#5168

ARTIST/LABEL NOTES:

Released to accompany the book Spiritbox by Katie Haegele Composed by Katie Haegele on a Korg Gadget for Nintendo Switch Recorded live at the East Falls Zine Reading Room Katie Haegele – Korg Gadget, Ethereal Dialpad Joe Carlough – Vocals, Ribbon Synth, Cassette Looping, Spiritbox

GAJOOB Review by Bryan Baker, 10/28/23:

“Electronic Voice Phenomenon” by Katie Haegele is a captivating musical experience that perfectly complements her book, “Spiritbox”. Released in 2023, this digital album showcases Haegele’s innovative use of the Korg Gadget for Nintendo Switch, creating an immersive soundscape that transports listeners to another dimension.

The album was recorded live at the East Falls Zine Reading Room, lending an intimate, raw quality to the music. Each track is a testament to Haegele’s skill as a composer and her ability to create evocative soundscapes using the Korg Gadget and Ethereal Dialpad. The inclusion of Joe Carlough’s vocals, ribbon synth, cassette looping, and spiritbox further enhance the album’s ethereal ambiance.

“Electronic Voice Phenomenon” is more than just an album; it’s a sonic journey that mirrors the themes and narratives explored in “Spiritbox”. As you listen, you can almost feel the presence of the characters and the emotions they experience. This seamless integration of literature and music makes the album a unique artistic achievement.

Haegele’s compositions are richly textured, with layers of sound that ebb and flow, creating a dynamic listening experience. At times haunting, at others uplifting, the music is always engaging, drawing the listener in and holding their attention from start to finish.

“Electronic Voice Phenomenon” is a remarkable work of art that showcases Katie Haegele’s talent as a composer. It’s a must-listen for anyone who appreciates innovative, thought-provoking music. Whether you’re a fan of Haegele’s writing or new to her work, this album is sure to leave a lasting impression.

Media: Digital.

Visit Displaced Snail

Bandcamp URL: https://displacedsnail.bandcamp.com/album/electronic-voice-phenomenon