Tag: cd

No.5196

GAJOOB Review by Bryan Baker, 11/14/2023:

“Badminton, The Volleys” by Seeded Plain is a sonic exploration that challenges traditional notions of music and sound. Released in 2023, this album is a testament to the inventive genius of Jay Kreimer and Bryan Day, who have used their unique skills to create a work that is as engaging as it is innovative.

The album, recorded across various locations in India during October 2022, is a fascinating blend of improvised sounds and invented instruments. Kreimer, a seasoned musician and instrument inventor, brings his expertise to the fore, creating a soundscape that is both familiar and foreign. Day, an adventurer in sound and a creator of intriguing contraptions, adds his distinctive touch, resulting in a sonic experience that is truly one-of-a-kind.

“Badminton, The Volleys” is a journey through a world of machine shop percussion, diverse plucks, plonks, bends, brushes, patterns, crashes, rumbling drones and more. The sounds swell and lull, creating a dynamic rhythm that keeps the listener engaged throughout.

Each track is a distinct entity, yet they come together to form a cohesive whole. The music is animated and entertaining, with a sense of spontaneity that adds to its charm. The sounds are raw and unfiltered, giving the album an organic feel that sets it apart.

What makes “Badminton, The Volleys” truly special is the way it blurs the line between music and noise. Kreimer and Day challenge the listener to rethink their perceptions of what constitutes music, creating a soundscape that is as thought-provoking as it is enjoyable.

The production quality of the album is commendable, with each sound clearly defined and well-balanced. The album’s artwork, featuring photos by Kreimer and Pooja Usha, adds a visual dimension that complements the music perfectly.

“Badminton, The Volleys” is an adventurous exploration of sound that pushes the boundaries of music. It’s a testament to the creativity and innovation of Seeded Plain, making it a must-listen for fans of experimental music.

Media: CD.

Visit Public Eyesore Records

Bandcamp URL: https://publiceyesore.bandcamp.com/album/badminton-the-volleys

No.5188

DOWNLOAD @ ARCHIVE.ORG

GAJOOB Review by Bryan Baker:

Tapegermination Vol 1 No 7 is a sonic journey curated by a group of talented artists who have come together to create an album that is as diverse as it is cohesive. Released in 2000, the album showcases the innovative use of source audio by various artists, resulting in a unique sound that is hard to categorize but easy to enjoy.

The album opens with “Watchin’ It” by Bev Stanton, a captivating track that sets the tone for the rest of the album. The use of Bryan Baker’s source audio adds depth and texture to the piece, creating a layered soundscape that draws the listener in.

“Locator Waits” by Dan Gray, featuring source audio from multiple artists, is a standout track. Its intricate patterns and unexpected transitions make for an engaging listen, showcasing Gray’s ability to weave together disparate sounds into a coherent whole.

The album continues to impress with “Mixed Response” by Jason Green and “Why He Was Happy (Canopus)” by International Garbageman. Both tracks showcase the artists’ creative use of source audio, resulting in compositions that are both complex and intriguing.

“House of Leaves” by Mark Cook and “Astral Warfare” by LOkii are other highlights, each offering a unique take on the source material. Meanwhile, “Short Sharp Shock” by Hyperdriver and “Ju Ju Ming” by Chris Phinney showcase the diverse range of styles and influences present on the album.

The album concludes with “Touchy Feely” by Zapruder Red, a fitting end to a collection that consistently pushes boundaries and challenges expectations.

Overall, “Tapegermination Vol 1 No 7” is an impressive showcase of creativity and innovation. Each artist brings their unique perspective to the project, resulting in an album that is engaging, thought-provoking, and thoroughly enjoyable.

Media: CD.

Visit The Tapegerm Collective

No.5182

GAJOOB Review by Bryan Baker, 11/7/23:

A Harmonious Blend of Melody, Jangle, and Nostalgia.

Kool Kat Musik has a knack for discovering and showcasing distinctive talent, and Ian M. Bailey’s third release on the label, “We Live In Strange Times,” is a testament to this. Teaming up once again with Scotland’s songsmith and Cosmic Rough Rider Daniel Wylie, Bailey delivers an album rich in melody, hooks, and a unique blend of musical influences.

Recorded and produced at Bailey’s home studio, “Small Space Studios,” the album is a melodic tour-de-force. The 12 co-written tracks are a harmonious blend of Bailey’s trademark 6 & 12 string Rickenbacker jangles, bass, drums, keys, and harmonies, all provided by Bailey himself. Alan Gregson’s additions of string sections, Hammond, Rhodes piano, and lap steel create a rich tapestry that further enhances the album’s musical depth.

“We Live In Strange Times” showcases Bailey’s ability to channel the musical inspirations of greats like The Beatles, The Byrds, Crosby, Stills and Nash, Gene Clark, The Moody Blues, and Eric Burdon’s War into his work. Yet, Bailey’s individuality shines through, making the album more than just a homage to these legends.

Standout tracks like “It’s Summer Rain” and the titular “We Live In Strange Times” are beautiful examples of Bailey’s songwriting prowess. The Beatles’ influence is evident, extending even to the sitar sounds on “Mother Nature.” Bailey also ventures into more progressive territory with the instrumental track “She Waltzes With the Devil,” a piece that adds an intriguing dimension to the album.

However, it’s not just the music that stands out in Bailey’s latest offering. The album’s title, “We Live In Strange Times,” is a reflection of the current global climate and resonates deeply with listeners. It’s a gentle reminder that music can be an escape, a source of comfort, and a beacon of hope in uncertain times.

In conclusion, “We Live In Strange Times” is a well-crafted album that demonstrates Bailey’s ability to blend nostalgic influences with his distinctive style. Despite its roots in the past, the album feels fresh and relevant, making it a must-listen for any fan of melodic, jangle-pop music.

Watch for the album’s release 24 November 2023.

Media: CD.

Visit Kool Kat Musik