Tag: 2020

  • Slow Children & Area – Zima e.p. (Digital, 2020)

    Slow Children & Area – Zima e.p. (Digital, 2020)

    Download Album HERE

    ARTIST/LABEL NOTES:

    chicago, in the middle of deepest winter. snow covered. at this time of year, the title track of this e.p. was created as a collaboration between slow children (whom we welcome as a new artist) and area (most recently in 2009 on “objet trouvé” [tonatom.103]). “zima” means winter and this is reflected in the meandering, powerful, deep, ambient opener. five alternative interpretations of this work take up different aspects in a new way, continue it with a new focus and complete this e.p. this is far from being a ” one original title and remixes” release, but rather presents six very different variations of a theme combined, which allows an attentive listening as one piece. in addition to alternative interpretations of slow children and area as the originators of the original, we meet our long-time companion drmlgcc/dreamlogic again (most recent release: “treader” [tonatom.128] in 2013) as the creator of the final version. should such a work be released in the middle of summer and in times of a climate crisis? well, absolutely! when else. welcome slow children and welcome back area and drmlgcc.

    Visit tonAtom

  • Laurent Fairon – Chant de naufrage (Digital, 2020)

    Laurent Fairon – Chant de naufrage (Digital, 2020)

    ARTIST/LABEL NOTES:

    These tracks came to life growing on pre-existing musics like epiphytes do on plants or trees. Found herein are excerpts and samples from 78rpm laughing record, operatic singer, 20th century contemporary musics, YouTube detritus, etc, as well as a flotsam of electronic loops, synth sounds and the omnipresent human voice, especially wordless female vocals – hence the title ‘Chant de naufrage’, French for Hymn of Wreckage. LF: records, samples, virtual synth Recorded 2019–2020

    Visit Laurent Fairon

    Bandcamp URL: https://laurentfairon.bandcamp.com/album/chant-de-naufrage

  • Album Review: Sugar Factory – Home

    Album Review: Sugar Factory – Home

    No.5266

    Album: Home
    Artist: Sugar Factory
    Format: Cassette, Digital Download
    Label: Logarithm Cassette Label
    Release Date: February 23, 2020
    Available at: Logarithm Cassette Label Bandcamp

    A Sonic Journey Through Time and Texture

    Sugar Factory’s “Home” is an instrumental masterpiece that weaves together complex time signatures, droning walls of fuzzy rhythms, and clean angular lead melodies. This 2020 release on cassette offers a dynamic listening experience, characterized by its intricate guitar work and rich atmospheric layering.

    The album’s opening tracks immediately draw you in with their unconventional structures and harmonizing guitar lines. The interplay between these elements creates a soundscape that is both challenging and captivating, rewarding repeated listens with new discoveries each time.

    “Broken Factory” stands out as a significant shift in the album’s tone. Here, the emphasis moves away from driving rhythms to embrace a more atmospheric approach. This track showcases beautiful and powerful guitar tones, with a bass line that provides a subtle yet effective counterpoint. The result is a track that feels expansive and deeply evocative.

    Another highlight, “Ti se melei,” introduces a Spanish or flamenco flavor to the mix, adding a unique texture to the album. The inclusion of traditional influences within the band’s contemporary framework exemplifies Sugar Factory’s ability to blend diverse musical elements seamlessly. The track features additional noises by Sophie K., enriching the auditory palette and further enhancing the listening experience.

    Sugar Factory, consisting of Stelreverb on guitars and loops, Sophie K. on bass, and Grigoris M. on bass and drums, has crafted an album where every note feels meticulously placed yet effortlessly flowing. The contributions of each member are essential to the cohesive sound of the album, with each track feeling like an essential piece of the larger puzzle.

    “Jiddu – Distress Signal” incorporates a sample from Eddie Palmieri and Cal Tjader’s “Pancho’s Seis Por Ocho,” alongside a speech by Jiddu Krishnamurti, creating a track that is as thought-provoking as it is sonically engaging. Meanwhile, “Elephants Like Dolphins” samples from the movie “The Good, the Bad and the Ugly,” adding a cinematic quality to the album.

    Recorded, mixed, and mastered by Mañu at NoNameLand homestudio, the production quality of “Home” is impeccable, capturing the nuanced performances and complex arrangements with clarity. The album is available in a limited edition of 150 numbered copies, complete with a “Logarithm Cassette Label” vinyl sticker and a download code, making it a collector’s item as well as a must-have for any serious music enthusiast.

    The artwork by Logarithm Design Team, featuring sketches by Lilly Zoympouli, perfectly complements the auditory journey, providing a visual representation of the album’s themes and moods.

    In conclusion, “Home” by Sugar Factory is a strong album that deserves a place in any music lover’s collection. Its blend of innovative guitar work, atmospheric depth, and diverse musical influences makes it an outstanding release that warrants repeat plays. Each listen reveals new layers and nuances, solidifying its status as a standout album in the instrumental genre.

    For more information and to purchase the album, visit the Logarithm Cassette Label Bandcamp.

Discover Sounds reviews sound recordings we find worthy of discovery. It’s published by Briyan Frederick Baker of GAJOOB (that’s me). Send bandcamp download codes, tapes, CDs, vinyl and other things. Read more…