Hibernator’s 2019 release, Empty, is a compelling showcase of raw energy and refined musicianship. Recorded by Stephan Hawkes at Interlace Audio in Portland, Oregon, and featuring album art by Cory Young, this cassette is an essential listen for fans of alternative rock.
Right from the first track, listeners are greeted with powerful, commanding drums that drive the album’s intensity. The drumming on Empty is nothing short of spectacular, setting a dynamic foundation for the layers of guitar work that follow. The precision and power behind each beat demonstrate a masterful control that propels the music forward, giving it an almost live performance feel.
Hibernator excels in crafting strong alternative rock with dueling guitars that intertwine seamlessly. The guitar work on Empty is characterized by its robust, gritty textures and intricate interplay. Each track unfolds with a sense of urgency and passion, showcasing the band’s ability to blend melodic elements with raw, unfiltered rock. The dueling guitars create a rich tapestry of sound that keeps the listener engaged from start to finish.
“Zed For Zulu” is the second album from Those Pretty Wrongs, a musical partnership between Jody Stephens and Luther Russell that has deep roots in their enduring friendship. Their journey together began in the early ’90s, but it wasn’t until five years ago, during a documentary project about Jody’s alma mater, the legendary Memphis band Big Star, that they started making music together. Following the success of their self-titled debut album in 2016, they embarked on tours across North America, Australia, Europe, and the U.K., which eventually led to the creation of “Zed For Zulu”.
This new album is a meditation on themes of communication, the ever-present past, the uncertainty of the future, and the cycle of life and death. The music is rich yet subdued, complex yet simple—a symphony of chords and melodies played with understated elegance.
The opening track, “Tonight, Tonight, Tonight,” sets an emotional tone with lush string arrangements by Chris Stamey, whose connection to Jody goes back to the heyday of Big Star. The strings, combined with heartfelt lyrics, create a spine-tingling experience reminiscent of the all-star “Big Star’s Third Live” nights.
“Ain’t Nobody But Me” is a touching tribute to a close friend, inspired by the frequent voicemails from a friend of Jody’s wife. The simplicity and sincerity of the message resonate deeply, making it one of the standout tracks on the album.
“The Carousel” emerged from a chord progression Luther conceived in Bristol, England. Jody later brought it to life with lyrics about moving forward despite challenges, encapsulating the resilience and optimism that permeates the album.
Another highlight is “Hurricane of Love,” a song born from a chord sequence that woke Luther from sleep. His quasi-classical changes are matched by Jody’s profound and romantic lyrics, resulting in a hauntingly beautiful track. The clarinet solo by Memphis musician Jim Spake adds a pensive, almost Yiddish-like texture, enhancing the song’s emotional depth.
Overall, *Zed For Zulu* is a testament to the remarkable synergy between Jody Stephens and Luther Russell. Despite the geographical distance—Luther residing in Los Angeles and Jody in Memphis—their collaboration yields a collection of songs that are both varied in style and unified in their emotive power. It’s clear that their friendship and shared history have crafted an album that isn’t just music but a journey through time, memories, and heartfelt connections.
Discover Sounds reviews sound recordings we find worthy of discovery. It’s published by Briyan Frederick Baker of GAJOOB (that’s me). Send bandcamp download codes, tapes, CDs, vinyl and other things. Read more…
